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        Since American idol star Taryn Southern started composing music with AI in 2017, musicians all over the world have begun wondering about the implications of AI and modern technology where music production is concerned. Using AI in the creation of music is perceived by some as a helpful tool and by others as almost “the beginning of the end”.

        In Taryn’s case, AI software enabled her to communicate melodies and chords that she didn’t know how to put together herself. The end product was therefore a collaborative effort, rather than a piece entirely produced by technology. Taryn’s story has a distinctly positive feel that highlights the advantages of using AI in music production. It can serve as a source of inspiration, and as an ideal jumping-off point should a musician be hit with writer’s block (文思枯竭).

        Contrary to seeing AI as a tool, some musicians consider it to be hugely detrimental to the music scene. At the moment, because such technology is still so young, the music it’s producing is not necessarily what we want to hear. In short, it’s not of great quality. Those who have produced their own music, or even fans of authentic, artistic music, will also argue that a computer could never emulate the work (and human touch) of a true musician.

        Music has been an integral part of the story of humans for ages; in fact, the first known piece of music is believed to be around 3,400 years old. Songs have long been used as a means of communicating messages and folk stories, covering everything from societal ethics to world history. Since many people see music as such an inherently human expression, it is often considered as too precious to impart to technology. The thought of a computer generating a “random” piece of music that hasn’t been painstakingly created by an artist is almost seen as sacrilegious (亵渎神圣的).

        Regardless of which side of the argument you fall on, it seems likely that the use of AI in music production will only become more frequent. Our modern world is preoccupied with technological advancements. Instead of shying away from the idea of this bleak future, the best approach to take is one of optimism and curiosity. While there are always bound to be stubborn old-school musicians who refuse to use tech, music producers should consider AI as something to be embraced. AI music software is still very much in its infancy, but with more investors interested in the development and outcomes of such technology, and considering the rapid growth rate of other tech advances in recent years, it’s only a matter of time before AI-produced music is seen as the new norm.

50. What does the author think of the future of AI music?

A
It will continue to arouse the interest of music investors.
B
It has the prospect of becoming the norm in the future.
C
It will be gradually accepted by old-school musicians.
D
It may eventually lose its freshness and appeal.
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答案:

B

解析:

解析:B。根据题干中的the future of AI music和题文同序原则可定位至最后一段。该段最后一句提到,人工智能制作的音乐被视为新常态只是时间问题。由此可见,作者认为在未来音乐会成为一种新常态,B项符合题意,其中has the prospect of 对应该句中的it’s only a matter of time,the norm对应句中的the new norm,故为正确答案。

错项排除:最后一段中提到投资者对人工智能技术的发展和成果感兴趣,但这是对现状的描述,并非人工智能音乐的未来,故A项错误。最后一段中提到,一些顽固的老派音乐家拒绝使用科技,C项与此相悖,故排除。D项的lose its freshness and appeal在文中无依据,故排除。

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本文链接:50. What does the author think of the future of AI

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