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    Pretty in pink: adult women do not remember being so obsessed with the color, yet it is pervasive in our young girls’ lives. It is not that pink is intrinsically bad, but it is such a tiny slice of the rainbow and, though it may celebrate girlhood in one way, it also repeatedly and firmly fuses girls’ identity to appearance. Then it presents that connection, even among two-year-olds, between girls as not only innocent but as evidence of innocence. Looking around, I despaired at the singular lack of imagination about girls’ lives and interests.

    Girls’ attraction to pink may seem unavoidable, somehow encoded in their DNA, but according to Jo Paoletti, an associate professor of American Studies, it is not. Children were not color-coded at all until the early 20th century, in the era before domestic washing machines all babies wore white as a practical matter, since the only way of getting clothes clean was to boil them. What’s more, both boys and girls wore what were thought of as gender-neutral dresses. When nursery colors were introduced, pink was actually considered the more masculine color, a pastel version of red, which was associated with strength. Blue, with its intimations of the Virgin Mary, constancy and faithfulness, symbolized femininity. It was not until the mid-1980s, when amplifying age and sex differences became a dominant children’s marketing strategy, that pink fully came into its own, when it began to seem inherently attractive to girls, part of what defined them as female, at least for the first few critical years.

    I had not realized how profoundly marketing trends dictated our perception of what is natural to kids, including our core beliefs about their psychological development. Take the toddler. I assumed that phase was something experts developed after years of research into children’s behavior: wrong. Turns out, according to Daniel Cook, a historian of childhood consumerism, it was popularized as a marketing trick by clothing manufacturers in the 1930s.

    Trade publications counselled department stores that, in order to increase sales, they should create a “third stepping stone” between infant wear and older kids’ clothes. It was only after “toddler” became a common shoppers’ term that it evolved into a broadly accepted developmental stage. Splitting kids, or adults, into ever-tinier categories has proved a sure-fire way to boost profits. And one of the easiest ways to segment a market is to magnify gender differences—or invent them where they did not previously exist.

26. By saying “it is...the rainbow” (Line 2, Para. 1), the author means pink ________.

A
cannot explain girls’ lack of imagination
B
should not be associated with girls’ innocence
C
should not be the sole representation of girlhood
D
cannot influence girls’ lives and interests
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答案:

C

解析:

答案精析:根据题干可定位至原文第一段第二句,该句划线部分的字面含义是“它只是彩虹中的很小一部分”,从字面意义可以看出粉色不是全部,而and前后的语义一致;后面指出,尽管粉色可以在一定程度上代表少女时期,但它也不断地融合女孩对于外貌的认同。也就是说粉色会使女孩对于少女时期的认同变得单一,综合来看,C选项与原文暗示的信息一致,故为正确答案。

错项排除:原文虽然提及“lack of imagination(缺乏想象力)”,但其主体不是女孩,而是女孩生活和兴趣缺乏想象力这一现象,强调单一性,A选项错误。原文提到粉色代表了女孩的纯真,并未表示女孩的纯真不应该与粉色联系起来,故B选项错误。原文提到粉色会融合女孩对于外表的认同,使得女孩生活和兴趣缺乏想象力,可见粉色对女孩是有影响的,故D选项错误。

长难句分析:It is not that pink is intrinsically bad, but it is such a tiny slice of the rainbow and, though it may celebrate girlhood in one way, it also repeatedly and firmly fuses girls’ identity to appearance.

本句是由and连接两个并列句,and前面的分句的句子主干是It is not that…but…,为主系表结构,其中表语是由not… but…连接的两个表语从句pink is intrinsically bad和it is such a tiny slice of the rainbow。and后是主从复合句,主句主干为it…fuses girls’ identity to appearance,为主谓宾结构。though引导让步状语从句,从句中使用了主谓宾结构,in one way为状语。

句意为:并非粉色本身不好,而是它只是彩虹的一小部分,并且粉色可以在一定程度上代表少女时期,但它也不断地使女孩的外貌意识融合趋同。

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本文链接:26. By saying “it is...the rainbow” (Line 2, Para.

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