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As a historian who’s always searching for the text or the image that makes us re-evaluate the past,I’ve become preoccupied with looking for photographs that show our Victorian ancestors smiling ( what better way to shatter the image of 19th-century prudery?). I’ve found quite a few, and—since I started posting them on Twitter—they have been causing quite a stir. People have been surprised to see evidence that Victorians had fun and could,and did, laugh. They are noting that the Victorians suddenly seem to become more human as the hundred-or-so years that separate us fade away through our common experience of laughter.
Of course, I need to concede that my collection of ‘Smiling Victorians’ makes up only a tiny percentage of the vast catalogue of photographic portraiture created between 1840 and 1900, the majority of which show sitters posing miserably and stiffly in front of painted backdrops, or staring absently into the middle distance.How do we explain this trend?
During the 1840s and 1850s, in the early days of photography, exposure times were notoriously long: the daguerreotype photographic method (producing an image on a silvered copper plate) could take several minutes to complete, resulting in blurred images as sitters shifted position or adjusted their limbs. The thought of holding a fixed grin as the camera performed its magical duties was too much to contemplate, and so anon-committal blank stare became the norm.
But exposure times were much quicker by the 1880s, and the introduction of the Box Brownie and other portable cameras meant that, though slow by today’s digital standards, the exposure was almost instantaneous.Spontaneous smiles were relatively easy to capture by the 1890s, so we must look elsewhere for an explanation of why Victorians still hesitated to smile.
One explanation might be the loss of dignity displayed through a cheesy grin. “Nature gave us lips to conceal our teeth,” ran one popular Victorian maxim, alluding to the fact that before the birth of proper dentistry, mouths were often in a shocking state of hygiene. A flashing set of healthy and clean, regular ‘pearly whites’ was a rare sight in Victorian society, the preserve of the super-rich (and even then,dental hygiene was not guaranteed).
A toothy grin ( especially when there were gaps or blackened gnashers) lacked class: drunks,tramps,and music hall performers might gurn and grin with a smile as wide as Lewis Carroll’s gum-exposing Cheshire Cat, but it was not a becoming look for properly bred persons. Even Mark Twain, a man who enjoyed a hearty laugh, said that when it came to photographic portraits there could be “nothing more damning than a silly, foolish smile fixed forever”.

What might have kept the Victorians from smiling for pictures in the 1890s?

A
Their inherent social sensitiveness.
B
Their tension before the camera.
C
Their distrust of new inventions.
D
Their unhealthy dental condition.
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答案:

D

解析:

[精准定位]根据题干关键词kept the Victorians from smiling和in the 1890s定位至第四段末句。该句指出,19世纪90年代时,自然的微笑己比较容易捕捉,人们拍照时不笑另有他因。第五段继而提出一种可能解释“露齿笑显得有失尊严”并借由古簸言追溯时代背景”当时牙科学尚未诞生,人们的牙齿卫生状况极差"。可见,90年代的人拍照不笑是因为“微笑会暴露牙齿的不健康状态,有失芍严“,[D]正确。 [命题解密]正确项[D]概括改写第五段mouths were often in a shocking state of hygiene... A flashing set of... wasa rare sight,体现维多利亚人掩藏牙齿、以笑为耻的缘由。 [A]干扰在social sensitiveness一词,其指“能察觉他人情绪、理解他人观点的交际能力”(而非“关注自身形象、在乎他人观点的敏感心态”)。[B]由第二段0句被拍摄对象状态"姿势痛苦而低硬(posing miserably and stiffly)“膀断出“人们在相机前感到紧张“,但这是"摄影曝光时间太长”所致,而非由千紧张。另外,该选项定位错误,与题干中in the 1890s的定位信息不符。[C]由第气段碎片信息the early days of photography、non-committal blank stare捏造出“因为相机是新发明,所以人们在拍照时不愿表露情感,只 是木然凝视“,但由第四段可知“90年代时摄像技术已实现巨大飞跃,相机已不算新发明“,且全文未提及 “人们对拍照持抵触、怀疑态度”。
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