刷题刷出新高度,偷偷领先!偷偷领先!偷偷领先! 关注我们,悄悄成为最优秀的自己!

单选题

As a historian who’s always searching for the text or the image that makes us re-evaluate the past,I’ve become preoccupied with looking for photographs that show our Victorian ancestors smiling ( what better way to shatter the image of 19th-century prudery?). I’ve found quite a few, and—since I started posting them on Twitter—they have been causing quite a stir. People have been surprised to see evidence that Victorians had fun and could,and did, laugh. They are noting that the Victorians suddenly seem to become more human as the hundred-or-so years that separate us fade away through our common experience of laughter.
Of course, I need to concede that my collection of ‘Smiling Victorians’ makes up only a tiny percentage of the vast catalogue of photographic portraiture created between 1840 and 1900, the majority of which show sitters posing miserably and stiffly in front of painted backdrops, or staring absently into the middle distance.How do we explain this trend?
During the 1840s and 1850s, in the early days of photography, exposure times were notoriously long: the daguerreotype photographic method (producing an image on a silvered copper plate) could take several minutes to complete, resulting in blurred images as sitters shifted position or adjusted their limbs. The thought of holding a fixed grin as the camera performed its magical duties was too much to contemplate, and so anon-committal blank stare became the norm.
But exposure times were much quicker by the 1880s, and the introduction of the Box Brownie and other portable cameras meant that, though slow by today’s digital standards, the exposure was almost instantaneous.Spontaneous smiles were relatively easy to capture by the 1890s, so we must look elsewhere for an explanation of why Victorians still hesitated to smile.
One explanation might be the loss of dignity displayed through a cheesy grin. “Nature gave us lips to conceal our teeth,” ran one popular Victorian maxim, alluding to the fact that before the birth of proper dentistry, mouths were often in a shocking state of hygiene. A flashing set of healthy and clean, regular ‘pearly whites’ was a rare sight in Victorian society, the preserve of the super-rich (and even then,dental hygiene was not guaranteed).
A toothy grin ( especially when there were gaps or blackened gnashers) lacked class: drunks,tramps,and music hall performers might gurn and grin with a smile as wide as Lewis Carroll’s gum-exposing Cheshire Cat, but it was not a becoming look for properly bred persons. Even Mark Twain, a man who enjoyed a hearty laugh, said that when it came to photographic portraits there could be “nothing more damning than a silly, foolish smile fixed forever”.

Mark Twain is quoted to show that the disapproval of smiles in pictures was

A
a deep-root belief.
B
a misguided attitude.
C
a controversial view.
D
a thought-provoking idea.
使用微信搜索喵呜刷题,轻松应对考试!

答案:

A

解析:

[精准定位]题干问及作者引用马克·吐温之言的目的,应到马克·吐温的话语之外寻找作者观点,由此锁定第六段首句。该句首先指出,露齿笑有失身份,也即拍照时不应该笑,随后对比两类人 (drunks, tramps, and music hall performers vs properly bred persons)指出,粗俗之人才会咧嘴大笑,而 (大笑)这种举止与教养良好的人并不相称。再结合马克·吐温的例子“尽管他喜欢纵情大笑,却认为拍照时微笑是愚蠢之举“,可见“在维多利亚时代,拍照时不得微笑的观念已根深蒂固、深入人心,[A]正确。 [命题解密]正确项[A]符合第六段首句“露齿笑有失身份“这一杜会观念,同时也符合例子本身“马克·吐温虽喜欢开怀大笑,却认为拍照时绝对不能微笑”之意。 [B]结合首段”作者发现了不少维多利亚时期人微笑的照片“推断而来,但第二段即指出“大部分摄影作品中的人物表情严肃",末段亦体现社会主流观点“微笑有失身份"。[C」将nothing more damning than a silly, foolish smile vs enjoyed a hearty laugh传递的“马克·吐温观点与其自身性格矛盾“误解为 “马克·吐温观点与他人观点相矛盾(不赞同拍照微笑的观点是有争议的)”。[D]由马克·吐温的写作风格”以幽默笔触讽刺社会现实“腋断出“其观点发人深省、引人深思”。
创作类型:
原创

本文链接:Mark Twain is quoted to show that the disapproval

版权声明:本站点所有文章除特别声明外,均采用 CC BY-NC-SA 4.0 许可协议。转载请注明文章出处。

让学习像火箭一样快速,微信扫码,获取考试解析、体验刷题服务,开启你的学习加速器!

分享考题
share