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As a historian who’s always searching for the text or the image that makes us re-evaluate the past,I’ve become preoccupied with looking for photographs that show our Victorian ancestors smiling ( what better way to shatter the image of 19th-century prudery?). I’ve found quite a few, and—since I started posting them on Twitter—they have been causing quite a stir. People have been surprised to see evidence that Victorians had fun and could,and did, laugh. They are noting that the Victorians suddenly seem to become more human as the hundred-or-so years that separate us fade away through our common experience of laughter.
Of course, I need to concede that my collection of ‘Smiling Victorians’ makes up only a tiny percentage of the vast catalogue of photographic portraiture created between 1840 and 1900, the majority of which show sitters posing miserably and stiffly in front of painted backdrops, or staring absently into the middle distance.How do we explain this trend?
During the 1840s and 1850s, in the early days of photography, exposure times were notoriously long: the daguerreotype photographic method (producing an image on a silvered copper plate) could take several minutes to complete, resulting in blurred images as sitters shifted position or adjusted their limbs. The thought of holding a fixed grin as the camera performed its magical duties was too much to contemplate, and so anon-committal blank stare became the norm.
But exposure times were much quicker by the 1880s, and the introduction of the Box Brownie and other portable cameras meant that, though slow by today’s digital standards, the exposure was almost instantaneous.Spontaneous smiles were relatively easy to capture by the 1890s, so we must look elsewhere for an explanation of why Victorians still hesitated to smile.
One explanation might be the loss of dignity displayed through a cheesy grin. “Nature gave us lips to conceal our teeth,” ran one popular Victorian maxim, alluding to the fact that before the birth of proper dentistry, mouths were often in a shocking state of hygiene. A flashing set of healthy and clean, regular ‘pearly whites’ was a rare sight in Victorian society, the preserve of the super-rich (and even then,dental hygiene was not guaranteed).
A toothy grin ( especially when there were gaps or blackened gnashers) lacked class: drunks,tramps,and music hall performers might gurn and grin with a smile as wide as Lewis Carroll’s gum-exposing Cheshire Cat, but it was not a becoming look for properly bred persons. Even Mark Twain, a man who enjoyed a hearty laugh, said that when it came to photographic portraits there could be “nothing more damning than a silly, foolish smile fixed forever”.

Which of the following questions does the text answer?

A
Why did most Victorians look stern in photographs?
B
Why did the Victorians start to view photographs?
C
What made photography develop in the Victorian period?
D
How did smiling in photographs become a post-Victorian norm?
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答案:

A

解析:

[精准定位]本文首段介绍作者发现“不少维多利亚人面带微笑的照片“,第二段陈述事实”当时的肖像照中,面带微笑者仅占少数,多数被拍摄者姿势偎硬、表情淡漠”并提出问题“如何解释这一现象?”,第三至六段分别阐释了三个原因“早期的相机曝光时间过长,人们难以保持微笑;当时人们牙齿卫生极差,露齿笑有失尊严;社会普遍认为媒齿笑有失身份、缺乏教养"。综合可知,全文旨在剖析”为何大部分维多利亚时代的人拍照不笑/表情严肃"(第二段段末问句即为文在主题),[A:正确。 [命题解密]正确项[A]为文兹主题句How do we explain this trend (this trend代指sitters posing miserably and stiffly... or staring absently)的同义改写。 [B]中view(看;仔细察看)源自第二、三段复现词staring、stare,但其指”被拍摄者的空洞凝视”而非 “人们察看、欣赏照片”。[C]源自第三、四段“维多利亚早期相机曝光时间长,而维多利亚晚期相机曝光时间大幅缩短“以及第四段②句所述曝光时间缩短的原因之一”便携式相机投人使用“,但文章井未深人分析”相机曝光时间缩短/摄影术发展进步的原因“。[D]中post-Victorian属无中生有,全文并未提及 ”后维多利亚时代的拍照方式”。
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